Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Quintetto in La maggiore, per 2 violini, viola e 2 violoncelli
Antonio Bazzini |
PART00222
parts |
1883 | |
Re Lear, ouverture (trascr.per pf. a 4 mani di Hans von Bülow)
Antonio Bazzini |
PART00250
arrangement/reduction |
27/7/1878 | |
Sentimentali, I, walzer per pianoforte
Antonio Bazzini |
PART00251
full score |
||
Sinfonia-Cantata, op. 74 , riduzione per canto e pianoforte dell'Autore
Antonio Bazzini |
PART00218
arrangement/reduction |
||
Sonata op. 55, per piano e violino
Antonio Bazzini |
PART00223
full score |
||
Sotto i salici, pour violon et piano (op. 53, n. 1)
Antonio Bazzini |
PART00225
full score |
||
Souvenir d’Attila de Verdi, fantaisie brillante pour piano et violon concertants
Antonio Bazzini |
PART00231
full score |
||
Traviata, La, Fantasia per vl. con orch., o piano, op. 50
Antonio Bazzini |
PART00233
full score |
||
Vessillo lombardo, Il, inno popolare
Antonio Bazzini |
PART00241
full score |