Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Arte di studiare, L', i 24 Capricci di Paganini
Renzo Sabatini |
PART07682
didactic method |
12/1936 | |
A sera
Michele Eulambio |
PART01759
|
||
Barbier de Seville, Le, remis en français d’après la pièce de Mr. Beaumarchais, et parodié sous la musique par Mr. Framery, Paris, chez Madame Baillon
Giovanni Paisiello |
PART03010
|
||
Barbier de Seville, Le , Comédie lirique en IV actes, traduit de l’italien par Mr. Moline, les recitatifs son de la composition de Mr. Wenck, Paris, chez M.lle Castagnery
Giovanni Paisiello |
PART03009
|
||
Barcarola napoletana
Luigi Denza |
PART01534
|
||
Berceuse dans l'ombrage
Luigi Denza |
PART01528
|
||
Bucheron, Le , ou Les Trois Souhaits
François André Philidor |
PART03217
|
||
Cantico di Frate Sole, Il, per s. e t. solisti, coro misto e orchestra
Ottone Tonetti |
PART07031
|
1971 | |
Canti del ritorno
Arrigo Pedrollo |
PART07181
|