Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
All The World's A Stage, per coro misto a cappella
Bruno Maderna |
PART02304
full score |
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Allen
Giacomo Manzoni |
PART02411
full score |
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Amore e addio
Paolo Perezzani |
PART06055
full score |
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Amorsacro/Amorprofano, Suite
Azio Corghi |
PART04963
full score |
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Amorsacro/Amorprofano
Azio Corghi |
PART04962
full score |
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Animato, per otto strumenti
Stefano Gervasoni |
PART05453
full score |
24/8/1992 | |
Archives, (Ladri e Re)
Kasper T. Toeplitz |
PART06777
full score |
8/1992 | |
Arco, per violino solo
Adriano Guarnieri |
PART05537
full score |
1/1980 | |
Arie di Alice, per soprano e grande orchestra (1995). (da "Alice")
Giampaolo Testoni |
PART06408
full score |
18/1/1993 |