Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Impostore avvilito, L'
Vincenzo Lavigna |
PART02219
full score |
||
Isabella ed Enrico
Giovanni Pacini |
PART02972
full score |
1824 | |
Paolo Emilio
Cesare Jannoni |
PART02190
full score |
||
Pietra del paragone, La
Gioachino Antonio Rossini |
PART03661
full score |
||
Puntiglio, Il
Vincenzo Pucitta |
PART03433
full score |
||
Raoul di Crequi
Giovanni Simone Mayr |
PART02688
full score |
||
Sciocca per astuzia, La
Giuseppe Mosca |
PART02821
|
1821 | |
Spensierati, Gli
Pietro Ray |
PART03457
full score |
||
Tamerlano
Giovanni Simone Mayr |
PART02689
full score |