Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Concerto , per voci e strumenti detto “Il Rosero”
Giorgio Federico Ghedini |
PART02012
full score |
27/12/1950 | |
Concerto , per pianoforte e orchestra, riduzione per 2 pianoforti
Giorgio Federico Ghedini |
PART01990
arrangement/reduction |
1946 | |
Concerto a 5 , per fl., ob., cl., fg. e pf.
Giorgio Federico Ghedini |
PART02013
full score |
1932 | |
Concerto detto “l’Alderina”
Giorgio Federico Ghedini |
PART02009
full score |
1951 | |
Concerto in la op. XIV N° 1, per violoncello obbligato, due violini e basso
Giovanni Battista Cirri |
PART07442
full score and parts |
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Concerto per orchestra
Giorgio Federico Ghedini |
PART01999
full score |
1/1956 | |
Concerto per pianoforte e orchestra
Giorgio Federico Ghedini |
PART01989
full score |
7/10/1946 | |
Concerto per violino e archi detto "Il Belprato"
Giorgio Federico Ghedini |
PART01637
arrangement/reduction |
1955 | |
Concerto per vl. e orch., detto “Il Belprato” (1947)
Giorgio Federico Ghedini |
PART02006
full score |
20/3/1947 |