Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Elvezi, Gli
Giovanni Pacini |
PART02969
full score |
1832 | |
Etelinda
Carlo Coccia |
PART01005
full score |
||
Fenella, o la Muta di Portici
Stefano Pavesi |
PART03067
full score |
||
Festa della rosa, La
Stefano Pavesi |
PART03070
full score |
||
Fidanzata delle isole, La
Pietro Candio |
PART00718
full score |
1834 | |
Ginevra di Scozia
Giovanni Simone Mayr , Vincenzo Lavigna |
PART02693
full score |
||
Giovanna d’Arco
Nicola Vaccaj |
PART04272
full score |
1827 | |
Giovanna seconda regina di Napoli
Carlo Coccia |
PART01010
full score |
1840 | |
Giuramento, Il
Saverio Mercadante |
PART02720
|