Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Preghiera della sera, La
Gaetano Braga |
PART00432
full score |
||
Reginella
Gaetano Braga |
PART00422
full score |
11/1871 | |
Ritratto, Il
Gaetano Braga |
PART00420
full score |
||
Romanesca, La, Celebre aria di ballo del XVI sec. Secondo l'originale trascritta per vc. e piano
Gaetano Braga |
PART00439
full score |
||
Solo! Solo! Solo! , Melodia per violoncello e pianoforte o per violino e pianoforte
Gaetano Braga |
PART00446
full score |
2/1884 | |
Tempesta!, Melodia per c. con acc. di pf. da Le notti lombarde
Gaetano Braga |
PART00426
full score |
||
Trois mélodies pour violoncelle et piano , 1. Preludio 2. In barchetta 3. Saltarella abruzzese
Gaetano Braga |
PART00438
full score |
||
Vase brisé, Le, Romance pour chant et piano
Gaetano Braga |
PART00433
full score |
1879 | |
Zingara e la fanciulla, La, Cantilena per c. con acc. di pf. da Le notti lombarde
Gaetano Braga |
PART00434
full score |