Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ginevra di Monreale
Alessandro Sala |
PART03726
full score |
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Giuditta
Achille Peri |
PART03124
full score |
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Gondoliero, Il
Francesco Chiaromonte |
PART00951
full score |
24/12/1850 | |
Goretta
Luigi Sangermano |
PART03756
full score |
1868 | |
Goti, I
Stefano Gobatti |
PART02071
full score |
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Graziella
Decio Monti |
PART02792
full score |
||
Guarda che bianca luna , Nocturne à deux voix
Francesco Sinico |
PART03906
full score |
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III Quartetto in mi bem. magg. op.76, per 2 violini, viola e violoncello
Antonio Bazzini |
PART00221
parts |
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II Quartetto in re min. op. 75, per 2 violini, viola e violoncello
Antonio Bazzini |
PART00220
parts |