Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Nymphe des bois, La, scherzo pour violon et piano concertants
Antonio Bazzini |
PART00229
full score |
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Ostriche del Fusaro , Canzonetta per mezzo soprano
Antonio Bazzini |
PART00247
full score |
27/7/1874 | |
Pan ed Eco , (dai Rispetti di A. Poliziano) - Notturno per 2 soprani
Antonio Bazzini |
PART00249
full score |
6/1870 | |
Pene di Amore, Le, III anacreontica, trad. del cav. A. Maffei musicata per t. o s. in chiave di sol e piano
Antonio Bazzini |
PART00239
full score |
||
Pourquoi?, pour violon et piano. Op. 53, n. 2
Antonio Bazzini |
PART00226
full score |
||
Povero fanciullo, Il, Melodia drammatica in chiave di sol per ms. N. 1
Antonio Bazzini |
PART00245
full score |
1874 | |
Prigioniero di Josephstadt, Il
Antonio Bazzini |
PART00244
full score |
7/1868 | |
Primo Finale della Fantasia sui Masnadieri
Antonio Bazzini |
PART00230
full score |
||
Proibizione!
Antonio Bazzini |
PART00238
full score |
1870 |