Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Bevitore fortunato, Il
Nicola Antonio Zingarelli |
PART04550
full score |
||
Burgravi, I
Matteo Salvi |
PART03740
full score |
3/1845 | |
Capriccio, per fisarmonica
Elsa Forti |
PART07309
full score |
||
Ciarlatani, I
Giacomo Panizza |
PART03032
full score |
14/10/1839 | |
Cinque Pezzi Brevi
Angelo Corradini |
PART07286
full score |
||
Claudia
Emanuele Muzio |
PART02859
full score |
||
Cleopatra
Joseph Weigl |
PART04461
full score |
18/12/1807 | |
Composizioni per organo, Vol. III
Giovanni Gabrieli |
PART07584
full score |
||
Concerto, per pianoforte e archi
Giulio Confalonieri |
PART06875
full score |