Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Beatus vir
Antonio Vivaldi |
PART01283
arrangement/reduction |
||
Belfagor
Ottorino Respighi |
PART03498
arrangement/reduction |
1922 | |
Berceuse variata
Salvatore Sciarrino |
PART03795
full score |
||
Borgomastro di Saardam, Il
Gaetano Donizetti |
PART01697
full score |
||
Brani e varianti, Da: Le Roi de Lahore
Jules Massenet |
PART02677
full score and parts |
||
Briganti, I
Saverio Mercadante |
PART02707
full score |
||
Capricciosa ravveduta, La
Francesco Bianchi |
PART00330
|
1794 | |
Capuleti e Montecchi
Vincenzo Bellini |
PART00254
full score |
||
Concerto "Funebre" in Si bem. magg., per oboe, corno inglese, violino, due viole, violoncello, archi e cembalo. F. XII n 12
Antonio Vivaldi |
PART07060
|