Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Conte di Essex, Il
Saverio Mercadante |
PART02714
full score |
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Donna Caritea
Saverio Mercadante |
PART02715
full score |
10/10/1827 | |
Elisa e Claudio
Saverio Mercadante |
PART02716
full score |
1821 | |
Emma d’Antiochia
Saverio Mercadante |
PART02717
|
||
Erode
Saverio Mercadante |
PART02708
full score |
||
Gabriella di Vergy
Saverio Mercadante |
PART02709
|
||
Garibaldi , Sinf. dedicata all’Italia (per orch.)
Saverio Mercadante |
PART02730
full score |
||
Gioventù d'Enrico V, La
Saverio Mercadante |
PART02710
full score |
||
Giuramento, Il, Atto III N°8 - Duetto Finale
Saverio Mercadante |
PART07276
full score and parts |