Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ballata eroica, per orchestra
Riccardo Zandonai |
PART04504
full score |
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Biancaneve, Impressioni di una fiaba per orch.
Riccardo Zandonai |
PART04515
|
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Canto della sposa rapita, Il, Leggenda per vc. e pf.
Giacinto Sallustio |
PART03731
full score |
3/1938 | |
Cavalieri di Ekebù, I, Varianti per la vers. con t.svedese
Riccardo Zandonai |
PART04517
|
||
Cavalieri di Ekebù, I
Riccardo Zandonai |
PART04487
full score |
9/1924 | |
Colombina, Ouverture sopra un tema popolare veneziano per orchestra
Riccardo Zandonai |
PART04505
full score |
14/2/1935 | |
Commenti musicali all’Aiace di Sofocle , per grande orch. (5 pezzi)
Riccardo Zandonai |
PART04526
|
4/3/1936 | |
Concerto andaluso , per violoncello solista e piccola orchestra
Riccardo Zandonai |
PART04506
full score |
15/6/1936 | |
Concerto andaluso , per violoncello solista e piccola orchestra
Riccardo Zandonai |
PART04507
arrangement/reduction |
12/1935 |