Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Hingabe an Maria, , Soloquartett (S.A.T.B.)
Paul Hartmann |
PART02135
full score |
1904 | |
Inno a Gesù Bambino , Coro per 3 voci d’uomini con acc.d'org.
Paul Hartmann |
PART02136
full score |
4/1/1905 | |
Marienlied, für männerchor
Paul Hartmann |
PART02137
full score |
20/1/1905 | |
Miserere, Salmo 50 coro a 6 voci
Paul Hartmann |
PART02138
full score |
30/12/1903 | |
Morte del Signore, La
Paul Hartmann |
PART02130
full score |
16/2/1906 | |
Quasi stella mattutina, Graduale per la festa di S. Francesco d’Assisi a 2 voci con acc. d’org. o harmonium
Paul Hartmann |
PART02139
full score |
||
Requiem
Paul Hartmann |
PART02132
full score |
||
Responsorium ad S. Antonium de Padua , ad duas voce aequales, concinante organo
Paul Hartmann |
PART02140
full score |
4/1/1905 | |
S. Pietro
Paul Hartmann |
PART02133
full score |
12/10/1899 |