Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Cantilene napoletane
Mario Pasquale Costa |
PART01051
full score |
4/1884 | |
Canzone del temporale
Mario Pasquale Costa |
PART01052
full score |
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Canzone di Mignon, Melodia
Mario Pasquale Costa |
PART01118
full score |
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Canzone di Mignon
Mario Pasquale Costa |
PART01053
full score |
4/8/1906 | |
Canzuncella all’antica, per c. con acc. di 2 chitarre o pf. o arpa
Mario Pasquale Costa |
PART01054
full score |
8/1894 | |
Chanson de Barberine
Mario Pasquale Costa |
PART01057
full score |
15/9/1883 | |
Chanson rose
Mario Pasquale Costa |
PART01058
full score |
2/1/1891 | |
Come il ricordo vago e mal distinto
Mario Pasquale Costa |
PART01046
full score |
10/1881 | |
C’est le vent, chanson
Mario Pasquale Costa |
PART01056
full score |