Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Arte della fuga, L', Contrapucntus VIII Fuga a 3 voci
Johann Sebastian Bach |
PART01573
|
16/1/1997 | |
Arte della fuga, L', Contrapunctus XI, fuga a 4 voci
Johann Sebastian Bach |
PART02174
full score |
1997 | |
Arte della fuga, L' , Contrapunctus XIII
Johann Sebastian Bach |
PART01577
full score |
2/8/1997 | |
Canon triplex a 6 voci, nei nomi di G.S. Bach e G.F: Handel
Johann Sebastian Bach |
PART06531
full score |
7/1984 | |
Cantata del Caffè, (Kaffee-Cantate)
Johann Sebastian Bach |
PART07287
full score |
||
Concerto n°2, in mi maggiore
|
PART04448
full score and parts |
8/1945 | |
Due Gavotte, (dalla 5° Suite per violoncello)
Johann Sebastian Bach |
PART07475
full score |
||
Fantasia e fuga in sol minore , per org., trascr. per pf. da G. Tagliapietra
Johann Sebastian Bach |
PART03940
full score |
14/10/1925 | |
Fuga, (dalla 1° Sonata per violino)
Johann Sebastian Bach |
PART07473
full score |