Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Figlia di Figaro, La
Lauro Rossi |
PART03651
full score |
1847 | |
Furioso all’isola di San Domingo, Il
Gaetano Donizetti |
PART01703
|
1832 | |
Matilde di Shabran, Sinfonia
Gioachino Antonio Rossini |
PART07114
|
||
Monsieur de Chalumeaux
Federico Ricci |
PART03519
full score |
||
Nina pazza per amore , (col tit. La Nina)
Pietro Antonio Coppola |
PART01026
|
||
Nuovo figaro, Il
Luigi Ricci |
PART03539
full score |
||
Nuovo figaro, Il
Luigi Ricci |
PART03538
full score |
||
Orfanella di Ginevra, L'
Luigi Ricci |
PART03540
full score |
||
Sonnambulo, Il
Giuseppe Gerli , Edoardo Bauer |
PART01974
full score |
1839 |