Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Fidanzata del demonio, La, Leggenda tedesca (per 2 voci e pf.)
Giovanni Bottesini |
PART00403
full score |
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Gran duo concertante, per orchestra
Giovanni Bottesini |
PART04772
arrangement/reduction |
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II Quartetto
Giovanni Bottesini |
PART00408
parts |
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I Quartetto
Giovanni Bottesini |
PART00407
full score |
15/9/1845 | |
Je t’aime!... , Melodie pour chant avec accomp.de piano
Giovanni Bottesini |
PART00404
full score |
||
Lucifero , Canto infernale per baritono (e pf.)
Giovanni Bottesini |
PART00405
full score |
||
Metodo per contrabbasso
Giovanni Bottesini |
PART07590
didactic method |
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Metodo per contrabbasso
Giovanni Bottesini |
PART00409
didactic method |
||
Mezzanotte , Ballata in chiave di sol
Giovanni Bottesini |
PART00406
full score |
10/7/1868 |