Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Commiato, Il, per orch.e una voce (Fine:per bar. e orch., testo di G.Leopardi)
Gian Francesco Malipiero |
PART02331
arrangement/reduction |
28/7/1934 | |
Concerto, per pf. e orch.
Gian Francesco Malipiero |
PART02349
arrangement/reduction |
1934 | |
Concerto , per pianoforte e orchestra
Gian Francesco Malipiero |
PART02348
full score |
10/6/1934 | |
Concerto in Do maggiore, per violino, due violoncelli, archi e cembalo
Antonio Vivaldi |
PART07064
|
1/1949 | |
Concerto in Fa maggiore per archi e cembalo, F. XI n 14
Antonio Vivaldi |
PART07073
|
1/1949 | |
Concerto in Fa maggiore per la solennità di San Lorenzo, per violino, archi e cembalo. F. I n 20
Antonio Vivaldi |
PART07037
|
4/1949 | |
Concerto in Fa maggiore per violino, archi e cembalo, F. I n 17
Antonio Vivaldi |
PART07046
|
||
Concerto in La maggiore, per archi e cembalo. F.XI n.4
Antonio Vivaldi |
PART07577
full score |
||
Concerto in Re maggiore per due violini, liuto, e b.c., F. XII n 15
Antonio Vivaldi |
PART07050
|
1/1949 |