Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ei m’ha tradita!, Romanza di Paolo Ferrari
Franco Faccio |
PART01787
full score |
9/1865 | |
El tropo xe tropo!
Franco Faccio |
PART01789
full score |
||
Esposizione di Torino 1884, L', Cantata per coro e orch.
Franco Faccio |
PART01785
arrangement/reduction |
||
Esposizione generale di Torino 1884, Cantata per violino e orchestra
Franco Faccio |
PART01766
full score |
30/9/1883 | |
Gelosia, La
Franco Faccio |
PART01790
parts |
||
Ma bada!
Franco Faccio |
PART01791
full score |
||
Margherita, La, Romanza di Paolo Ferrari
Franco Faccio |
PART01769
full score |
8/1865 | |
Nana, La
Franco Faccio |
PART01770
full score |
||
Pescatrice, La, notturno a 4 voci
Franco Faccio |
PART01771
full score |