Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Marina
Francesco Paolo Tosti |
PART04112
|
10/1885 | |
Mattino
Luigi Denza |
PART01353
full score |
21/10/1884 | |
Mattino
Augusto Rotoli |
PART03703
full score |
||
Nel sole!!!, Cantilena
Augusto Rotoli |
PART03713
full score |
||
Non t’amo più!
Francesco Paolo Tosti , César Auguste Jean Guillaume Hubert Franck , Wolfgang Amadeus Mozart |
PART04182
full score |
1884 | |
Plenilunio
Francesco Paolo Tosti |
PART04172
full score |
||
Resta, Romanza
Niccolò van Westerhout |
PART04326
full score |
||
Vieni!, Melodia
Luigi Denza |
PART01474
full score |
1/1905 | |
Vieni!
Luigi Denza |
PART01475
full score |