Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Loreley
Alfredo Catalani |
PART00884
arrangement/reduction |
16/5/1889 | |
Mattia Corvino
Ciro Pinsuti |
PART03274
full score |
||
Mia madonna, La
Leopoldo Mugnone |
PART02828
full score |
15/6/1909 | |
Napoli , Canzone pop. a due voci
Francesco Paolo Tosti |
PART04125
|
||
Regina e favorita
Luigi Sangermano |
PART03757
full score |
16/2/1871 | |
Ruy Blas
Filippo Marchetti |
PART02481
full score |
||
Se avessi l’ale!, Serenata
Francesco Paolo Tosti |
PART04191
full score |
9/1897 | |
[Parti di flauto da vari pezzi per orchestra]
Autori Diversi , Franco Alfano , Renzo Bossi , Vincenzo Bellini , Arrigo Boito , Alfredo Casella , Alfredo Catalani , Victor de Sabata , Gaetano Donizetti , Giorgio Federico Ghedini , Franz Joseph Haydn , Adriano Lualdi , Gian Francesco Malipiero , Luigi Mancinelli , Gino, sr. Marinuzzi , Giuseppe Martucci , Pietro Mascagni , Italo Montemezzi , Wolfgang Amadeus Mozart , Goffredo Petrassi , Richard Wagner |
PART07432
parts |