Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Amori incrociati, per 2 voci recitanti e orch.
Azio Corghi |
PART04961
full score |
10/12/2000 | |
Amorsacro/Amorprofano, Suite
Azio Corghi |
PART04963
full score |
||
Amorsacro/Amorprofano
Azio Corghi |
PART04962
full score |
||
Animi motus, per quartetto d'archi ed elettronica
Azio Corghi |
PART04964
full score |
20/5/1994 | |
Blimunda
Azio Corghi |
PART04966
full score |
25/10/1988 | |
Blimunda
Azio Corghi |
PART04967
arrangement/reduction |
||
Cadenze, per il Concerto in sol magg. K.313 di Mozart per fl e orch.
Azio Corghi |
PART04968
full score |
||
Cetra appesa, La, per soprano voce recitante, coro (coro popolare banda) e orchestra
Azio Corghi |
PART04970
full score |
1994 | |
Chansons d'elite..., per pianoforte ( con voce ad libitum)
Azio Corghi |
PART06964
|
1989 |