Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Favola di Andersen, Una
Antonio Veretti |
PART04377
full score |
1/7/1934 | |
Favola di Andersen, Una
Antonio Veretti |
PART04384
arrangement/reduction |
||
Favorito del re, Il
Antonio Veretti |
PART06520
arrangement/reduction |
||
Fleur de cacao
Anonimo , Antonio Veretti |
PART07703
full score |
||
Galante tiratore, Il, azione coreografica
Antonio Veretti |
PART04370
full score |
||
Madrigale e Ballata
Antonio Veretti |
PART04375
full score |
||
Medico volante, Il
Antonio Veretti |
PART04367
full score |
12/1924 | |
Partita
Antonio Veretti |
PART04394
full score |
1926 | |
Passacaglia
Antonio Veretti |
PART04385
full score |