Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Messa a Rossini
Autori Diversi , Antonio Buzzolla , Antonio Bazzini , Carlo Pedrotti , Antonio Cagnoni , Alessandro Nini , Raimondo Boucheron , Carlo Coccia , Pietro Platania |
PART00155
full score |
1869 | |
Messa a Rossini
Autori Diversi , Antonio Buzzolla , Antonio Bazzini , Carlo Pedrotti , Antonio Cagnoni , Federico Ricci , Raimondo Boucheron , Carlo Coccia , Gaetano Gaspari , Pietro Platania , Luigi Rossi , Teodulo Mabellini , Giuseppe Verdi , Alessandro Nini |
PART00156
full score |
||
Michele Perrin
Antonio Cagnoni |
PART00684
full score |
||
Papà Martin
Antonio Cagnoni |
PART00685
full score |
||
Testamento di Figaro, Il
Antonio Cagnoni |
PART00686
full score |
||
Tombola, La
Antonio Cagnoni |
PART00678
full score |
13/2/1868 | |
Valle d’Andora, La
Antonio Cagnoni |
PART00679
full score |
||
Zingarella, La, Ballata per voce di s. con acc. di pf.
Antonio Cagnoni |
PART00688
full score |
22/8/1868 |