Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Tre canti
Ildebrando Pizzetti |
PART06853
|
||
Trio in Do maggiore per violino, liuto e b.c., F. XVI n 3
Antonio Vivaldi |
PART07053
|
1/1949 | |
Trittico francescano, per soli, coro e orchestra
Licinio Refice |
PART03466
full score |
6/1/1926 | |
Turandot , Finale Atto III
Franco Alfano |
PART00072
arrangement/reduction |
1925 | |
Turco in Italia, Il
Gioachino Antonio Rossini |
PART03664
full score |
||
Venticinque preludi
Luigi Perrachio |
PART03167
full score |
12/1927 | |
Vestale, La
Saverio Mercadante |
PART02731
full score |
||
Vestale, La
Giovanni Pacini |
PART02986
full score |
31/12/1822 | |
Vis à vis, pour 3 cl.et trio à cordes
Thierry Blondeau |
PART06621
full score |