Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Die nase, Opera per clarinetto, violoncello e pianoforte. Musica per teatro di marionette su soggetto di Sigrid Maurice liberamente tratto da N. Gogol
Lucia Ronchetti |
PART06197
full score |
1993 | |
Discanto, sulla Musica sull'acqua
Lorenzo Ferrero |
PART06922
full score |
1990 | |
El otono del patriarca, oper in sechs szenen
Giorgio Battistelli |
PART04637
full score |
2003 | |
Figlia di Jorio, La, Suite per pianoforte
Fernando Limenta |
PART02228
full score |
||
Giochi con Bach sul clavicembalo, Sintesi
Roman Vlad |
PART06534
full score |
6/11/1978 | |
Gran Duo, per violoncello e pianoforte (da Beethoven)
Sylvano Bussotti |
PART00633
full score |
1/1978 | |
Jacquerie
Gino, jr. Marinuzzi |
PART05819
full score |
25/3/1993 | |
Laudi alla Vergine Maria, per 4 voci e pianoforte (guida)
Giuseppe Verdi |
PART00086
full score |
||
Meditazioni sopra un antico canto russo, ricordando I. Strawinsky
Roman Vlad |
PART06541
full score |
7/7/1982 |