Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Adelia
Gaetano Donizetti |
PART01706
arrangement/reduction |
22/3/1841 | |
Altaîr
Ennio Porrino |
PART03354
arrangement/reduction |
5/8/1939 | |
Assassinio nella cattedrale , Rid. per c. e pf. di I. Delle Cese
Ildebrando Pizzetti |
PART03302
arrangement/reduction |
||
Belle Polesane, La, Valzer van Franz Lehàr Op. 24
Franz Lehár |
PART07404
full score |
4/1935 | |
Bozzetto siciliano
Sylvano Bussotti |
PART00629
arrangement/reduction |
15/1/1990 | |
Cantatrici villane, Le , Rid. per c. e pf. di Claudio Conti
Valentino Fioravanti |
PART01844
arrangement/reduction |
||
Concerto, per pf. e orch.
Lorenzo Ferrero |
PART05208
arrangement/reduction |
1990 | |
Concerto in Sol, F.I. n.91
Antonio Vivaldi |
PART06912
arrangement/reduction |
||
Concerto per Clarinetto in Si b e Pianoforte, dal concerto per violino e orchestra (op. 61). Libera rid. di A. Giampieri
Ludwig van Beethoven |
PART07235
|
5/1955 |