Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Dialogue!!, pour le piano à 4 mains op. 70
Costantino De Crescenzo |
PART01179
full score |
||
Diana di Chaverny
Alfredo Sangiorgi |
PART03759
full score |
30/11/1874 | |
Diana o la Fata di Pozzuoli
Errico Petrella |
PART03197
full score |
||
Dé, Le
Leopold Hackensöllner |
PART02123
full score |
27/4/1876 | |
Ebbrezza , per pianoforte a 4 mani
Costantino De Crescenzo |
PART01180
full score |
||
Eloy, cantata per voce masch.su nastro e 4 esec.
Luciano Chailly |
PART04926
full score |
4/1979 | |
Esmeralda
Fabio Campana |
PART00710
full score |
2/1878 | |
Ettore Fieramosca
Belisario Pisilani |
PART03275
full score |
||
Fanciulla del West, La
Giacomo Puccini |
PART00001
|
31/12/1912 |