Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Au bord du Volga, pour le piano op. 58
Costantino De Crescenzo |
PART01185
full score |
||
Au clair de lune, Nocturne pour le piano op. 44
Costantino De Crescenzo |
PART01192
full score |
||
Au revoir au printemps, Morceau pour le piano
Costantino De Crescenzo |
PART01193
full score |
||
Bacio gentile, Valzer op. 107
Costantino De Crescenzo |
PART01194
full score |
||
Batte l’ali, Romance
Francesco Sinico |
PART03903
full score |
||
Bella Maria, parte melodica
Alberto Giannini |
PART05496
parts |
||
Bianca da Cervia
Antonio Smareglia |
PART03913
full score |
||
Canzone dei ricordi, La, Poemetto lirico di Pagliara per canto e piano
Giuseppe Martucci |
PART02549
arrangement/reduction |
26/6/1887 | |
Capriccio sinfonico, Rid.per pf.a 4 mani
Angelo Frondoni , Giacomo Puccini |
PART01874
|
1883 |