Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Il Sospetto" , concerto per violino, archi e cembalo in do min. F.I n.2
Antonio Vivaldi |
PART07567
full score |
24/4/1947 | |
5 Brevi variazioni, per ott.,cl.b.
Rocco Abate |
PART05715
full score |
6/1984 | |
Amore dei tre re, L’
Italo Montemezzi |
PART02777
full score |
||
Antigone, 3 intermezzi per orch.
Ettore Desderi |
PART01543
full score |
1933 | |
Baumszene, per 8 voci e orch.
Fabio Nieder |
PART05901
full score |
||
Bérebé
Giulio Ricordi |
PART00544
full score |
||
Cantata in morte di M.F. Malibran
Autori Diversi , Gaetano Donizetti , Giovanni Pacini , Saverio Mercadante , Pietro Antonio Coppola , Nicola Vaccaj |
PART00154
full score |
1837 | |
Concerto in Do maggiore, per fagotto, archi e cembalo. F.VIII n.4
Antonio Vivaldi |
PART07537
full score |
||
Concerto in La maggiore, per archi e cembalo. F.XI n.4
Antonio Vivaldi |
PART07577
full score |