Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Entra!, (risposta a la “Serenata d’un angelo”)
Francesco Paolo Tosti |
PART04077
full score |
9/1891 | |
Escuela Razonada de la Guitarra, Basada en los pricipios de la técnica de Tarrega - Libro I
Emilio Pujol |
PART06878
|
12/1933 | |
Escuela Razonada de la Guitarra, Basada en los pricipios de la técnica de Tarrega - Libro II
Emilio Pujol |
PART06879
|
12/1933 | |
Estate, L', Dalle Quattro stagioni di Antonio Vivaldi
Antonio Vivaldi |
PART02754
full score |
||
Giovanni Gallurese
Italo Montemezzi |
PART02775
full score |
||
I Quartetto in Do mag.re, per 2 violini, viola e violoncello
Antonio Bazzini |
PART00219
parts |
28/6/1883 | |
Immaginazione a se stessa, L', per coro e orchestra
Salvatore Sciarrino |
PART03831
full score |
1996 | |
Linee di forza
Dario Maggi |
PART06756
full score |
12/1985 | |
Madama Butterfly
Giacomo Puccini |
PART00079
full score |
16/3/1904 |