Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Alba, cantata per soli, coro e orch.
Alessandro Sbordoni |
PART06214
arrangement/reduction |
||
Donne di Trachis, Le, Sei pezzi per voci soliste e coro femminile.
Salvatore Sciarrino |
PART07842
full score |
||
Doppia parafrasi, per voce recitante e pf
Azio Corghi |
PART06946
full score |
24/5/2007 | |
E l'uccellino, ninna-nanna per canto e pianoforte con l'aggiunta di Flauto, Clarinetto e Viola
Giacomo Puccini |
PART00655
|
11/7/1981 | |
Elegie, in friulano di Franco De Gironcoli, per canto, violino, clarinetto, chitarra
Antonio Veretti |
PART07616
full score and parts |
||
Elogio del serpente a sonagli, Rondò giocoso
Franco Mannino |
PART07600
full score |
||
Embers
Giuliano Ghirardi |
PART05490
full score |
||
Et due voci, per soprano e orchestra, 1958, revisione 1985
Sylvano Bussotti |
PART00591
full score |
||
Memoria perduta, La, opera in due atti
Flavio Emilio Scogna |
PART06297
arrangement/reduction |
1993 |