Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Il Sospetto" , concerto per violino, archi e cembalo in do min. F.I n.2
Antonio Vivaldi |
PART07567
full score |
24/4/1947 | |
1° Sinfonia, op. 18 (44), revisione di Renato Fasano
Muzio Clementi |
PART07512
full score |
||
2 Ariette antiche, trascritte per chitarra da Miguel Ablòniz
Alessandro Scarlatti , Antonio Caldara |
PART07458
full score |
||
2 Bourrées e Marcia, (della Ouverture francese)
Johann Sebastian Bach |
PART07456
full score |
||
3 Piccoli pezzi antichi, Aria, Minuetto, Invenzione
Henry Purcell , Jeremiah Clarke , John Stanley |
PART07457
full score |
||
3° Concerto in Do maggiore, per Oboe, violino concertante, Archi e Cembalo di ripieno
Giuseppe Valentini |
PART07523
full score |
1/1956 | |
6 Minuetti, trascrizione per chitarra di M. Ablòniz
Jean-Philippe Rameau |
PART07469
full score |
||
10° Concerto, per violino principale, archi e cembalo
Tommaso Giovanni Albinoni |
PART07515
full score |
||
12 Sonato Op. V, per violino e pianoforte - Parte seconda
Arcangelo Corelli |
PART07601
full score |