Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Alto, (da Saga) 1ª stesura, per sax. c. in Mi b.
Fabio Nieder |
PART05899
full score |
5/1985 | |
Alto , 2° versione
Fabio Nieder |
PART05898
full score |
1989 | |
Altro effetto di luna, su una lirica di Eugenio Montale
Francesco Pennisi |
PART06929
full score |
27/2/1996 | |
Amante ideale, L'
Alberto Iginio Randegger |
PART03451
full score |
10/1917 | |
Amulet, per viola sola
Liza Lim |
PART05639
full score |
1992 | |
Ange d’amour
Francesco Paolo Tosti |
PART04045
full score |
1884 | |
Antiphones du Ciel et de la Terre
Thierry Pécou |
PART06817
full score |
23/1/1995 | |
Apres la pluie les nuages N.6, Allegro da concerto per 2 pf.
Alessandro Lucchetti |
PART05713
|
30/6/1982 | |
Aprile e ottobre
Edouard van Cleeff |
PART04287
full score |