Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
6 Studi sul naturalismo integrale
Marco Di Bari |
PART05120
full score |
6/1988 | |
12 Preludes, pour 4 pianos imaginaires
François Paris |
PART06721
full score |
8/4/1995 | |
19 Studi, Rev. pianistica di Franco Floris
Guido Guerrini |
PART02115
didactic method |
1937 | |
24 Pezzi caratteristici, op. 40
Alessandro Longo |
PART02257
full score |
||
50 Nuove lezioni d’armonia, realizzate a 4 parti vocali
Carlo Pedron |
PART03091
didactic method |
||
Acanthis, per fl, pf o clav.
Francesco Pennisi |
PART06982
full score |
20/4/1981 | |
Accenti di Prometeo, per pianoforte
Francesco Carluccio |
PART04861
|
||
Accords perdus
Gérard Grisey |
PART06675
|
1987 | |
Acromatopsia
Gabriele Manca |
PART05774
full score |
10/1996 |