Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Abenamet e Zoraide
Giuseppe Nicolini |
PART02892
full score |
||
Abradate e Dircea
Giuseppe Nicolini |
PART02893
full score |
||
Adelaide di Borgogna
Pietro Generali |
PART01959
full score |
1819 | |
Andromaca
Vincenzo Pucitta |
PART03429
full score |
||
Bevitore fortunato, Il
Nicola Antonio Zingarelli |
PART04550
full score |
||
Bianca di Beaulieu
Cesar A. Stiattesi |
PART03934
arrangement/reduction |
||
Cleopatra
Joseph Weigl |
PART04461
full score |
18/12/1807 | |
Dama locandiera, La, o sia L’albergo de pitocchi
Giuseppe Mosca |
PART02818
full score |
1822 | |
Duetti seri
Autori Diversi , Gioachino Antonio Rossini , Nicola Antonio Zingarelli , Giuseppe Farinelli , Giovanni Simone Mayr , Ferdinando Paër |
PART07249
full score |