Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Komm, susser Todt" ("Vieni dolce morte"), Mottetto: trascrizione per chitarra di M. Giordano
Johann Sebastian Bach |
PART07302
full score |
||
3 Vocalizzi, per violino e pianoforte | (Trascrizione di Mario Corti)
Mario Castelnuovo-Tedesco |
PART00792
full score |
||
4 Melodie per canto, Ninon, Visione, Ideale, Chanson de l'adieu
Francesco Paolo Tosti |
PART06443
full score |
5/1/1986 | |
5 tempi dalle "Sonate", trascr.per orch.da camera
Domenico Scarlatti |
PART06243
full score |
||
21 Pezzi, Trascritti per clarinetto da Alamiro Giampieri
Johann Sebastian Bach |
PART07591
full score |
||
A Sainte-Lucie, calypso
Gilles Sala , Eugène Delouche , Luigi Boccherini |
PART07706
full score |
||
Abum di dieci pezzi, per la formazione musicale e tecnica del chitarrista
Johann Sebastian Bach |
PART07480
full score |
||
Adagio , per vl. e pf. (dal Conc. in do magg.) di G.Tartini.Trascr.M.
Abbado
Giuseppe Tartini |
PART03951
full score |
||
Adagio , (dal Conc. in do magg.) per orch. d’archi e org.(ad lib.) di
G.Tartini.Trascr.elab.di M.Abbado.Part.
Giuseppe Tartini |
PART03950
full score |