Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Komm, susser Todt" ("Vieni dolce morte"), Mottetto: trascrizione per chitarra di M. Giordano
Johann Sebastian Bach |
PART07302
full score |
||
Adagio in sol min., per archi e organo
Tommaso Giovanni Albinoni |
PART06872
arrangement/reduction |
||
Atlántida
Manuel de Falla |
PART05180
full score |
||
Mefistofele, Prologo
Arrigo Boito |
PART00363
|
||
Percussions' suite, Trascrizione per 6 percussionisti. Da Un petit train de plaisir
Azio Corghi |
PART04987
arrangement/reduction |
28/2/1997 | |
Preludi, I, vol.1° e 2°, per orchestra
Claude Debussy |
PART06318
|
2000 | |
Preludi, I , vol.1°-2° (1999-2000) per orchestra
Claude Debussy |
PART06317
full score |
2000 | |
Salammbò
Modest Petrovič Musorgskij |
PART06908
full score |
1980 | |
Sonate e fantasie , di W.A. Mozart. Ed. critico-tecnica prefazione, dattiloscritto.con correz.autogr.di Casella
Wolfgang Amadeus Mozart |
PART02825
|