Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Andante, (Rev. e armoniz. di G. Marinuzzi)
Francesco Saverio Geminiani |
PART02539
full score |
||
Andante e Scherzo
Muzio Clementi |
PART00999
full score |
1929 | |
Annonce faite à Marie, L'
Renzo Rossellini |
PART03605
arrangement/reduction |
||
Aria
Nicola Antonio Giacinto Porpora |
PART04530
|
||
Aria della battaglia, per sonar d’istrum. da fiato a 8
Andrea Gabrieli |
PART01905
full score |
1952 | |
Arie ed ariette , inedite di Bernardo Pasquini a cura di F. Boghen
Bernardo Pasquini |
PART03058
full score |
||
Arlecchinata
Antonio Salieri |
PART00457
full score |
||
Arlecchinata
Antonio Salieri |
PART00458
arrangement/reduction |
||
Arte della fuga, L, Contrapunctus X, Fuga a 4 voci, alla Decima
Johann Sebastian Bach |
PART01575
full score |
17/3/1997 |