Iconography

Collection

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The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.

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Iconographies Description ID Date
Pianta scenica
Guido Laccetti, I Carnasciali
ICON011940
stage plan
Scala (di fronte)
Guido Bianchini, Il Principe e Nuredha
ICON011949
prop design
Scena del primo archivolto
Guido Bianchini, Il Principe e Nuredha
ICON011957
prop design
Scena terzo archivolto
Guido Bianchini, Il Principe e Nuredha
ICON011958
prop design
Scena del secondo archivolto
Guido Bianchini, Il Principe e Nuredha
ICON011959
prop design
Scena: fondale
Guido Bianchini, Il Principe e Nuredha
ICON011960
prop design
Serie di lucidi a china riproducenti le foto di scena
Giacomo Puccini, La Fanciulla del West
ICON011982
copies folder
1926
Posizione del bastimento al principiare dell'atto
Giacomo Meyerbeer, L'Africana
ICON011993
stage plan
Disegno per copertina di libretto
Bedřich Smetana, La Sposa venduta
ICON012414
drawing