The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
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Uno stanzone a pian del palazzo vescovile, verso il cortile
Ildebrando Pizzetti, Fra Gherardo |
ICON004276 set design |
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La Piazza Maggiore di Parma
Ildebrando Pizzetti, Fra Gherardo |
ICON004277 set design |
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La piazza superiore della città di Kèdesh di Neftali, sopra un piccolo altipiano
Ildebrando Pizzetti, Débora e Jaéle |
ICON004290 set design |
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Una terrazza terrena, scoperta, sul lato orientale del Palazzo di Sìsera in Haròscet
Ildebrando Pizzetti, Débora e Jaéle |
ICON004291 set design |
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Uno spiazzo erboso nel querceto di Saananim
Ildebrando Pizzetti, Débora e Jaéle |
ICON004292 set design |
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Gherardo
Ildebrando Pizzetti, Fra Gherardo |
ICON009713 costume design |
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Mariola
Ildebrando Pizzetti, Fra Gherardo |
ICON009714 costume design |
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Le 3 cortigiane
Ildebrando Pizzetti, Fra Gherardo |
ICON009715 costume design |
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I 3 gentiluomini
Ildebrando Pizzetti, Fra Gherardo |
ICON009716 costume design |